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Spring 2006                                                                                                              Phone: 351-2985

Eng. 325--008                                                                                                           Dr. Sharon Wilson  

Ross 1170B                                                                                                              Office  T Th 1:00-1:45,

Blackboard: http://bb.unco.edu.                                                                           W 2:45-3:45& by appt.

Home Page: http://www.asstudents.unco.edu/faculty/swilson                 Dept. Fax:  351-3378

sharon.wilson@unco.edu                                                                                   

 

 

FANTASY:  SECRET CHAMBERS, FANTASTIC TRANSFORMATIONS, HOBBITS, AND HEROES

 

 

REQUIRED READING:

 

Doris Lessing.  Memoirs of a Survivor. Vintage.

J. K. Rowling. Harry Potter and the Chamber of Secrets.  Scholastic.

Angela Carter. The Bloody Chamber and Other Adult Tales. Penguin.

Edith Hamilton. Mythology: Timeless Tales of Gods and Heroes.  Meredian..

                Hero, Demeter-Persephone, Pandora, Isis, Snake Goddess, Medusa

E. R. Eddison.  The Worm Ouroboros. Replika.

Tolkien.  Hobbit. Houghton Mifflin.

Franz Kafka.  The Metamorphosis and Other Stories.  Dover Thrift.

Peter Beagle.  The Last Unicorn.  Roc Trade.

Hunt and Sterne, trans. The Complete Grimms Fairy Tales.  Pantheon.

Handouts:

 

 

RECOMMENDED:

Joseph Gibaldi and Walter S. Achtert. MLA Handbook for Writers of Research Papers.       Newest edition.  MLA.

This is the required form for the research paper.

 

REQUIRED FILM VIEWING:

 

                The Last Unicorn

The Hobbit.

Harry Potter and The Chamber of Secrets.

 

 

COURSE GOALS:

 

     To  develop students' awareness of the  origins,  functions, and varieties of fantasy

     To develop students' understanding of the themes, structure, symbols, characterization, and techniques of fantasy

     To develop students' abilities to speak, write, and  think imaginatively, particularly about literature

     To develop students' appreciation of fantasy as an art form and of fantasy elements in literature and the other arts.

 

 

GENERAL REQUIREMENTS:

 

l.   Research Paper on one or two class readings or, for extra credit, an Outside Reading. Advance and support a  thesis  on  a focused aspect of the fantasy genre or of  the work(s),  such as character, theme, narrator, motif, significance of  setting, symbolism, or particular technique, such as fairy tale or myth intertexts in fiction..   Recommended length:  7-l0  typed  pages.  Support interpretation in detail, including some relevant quotations and at least FIVE scholarly articles  (including two from books), which should be internally cited in MLA form with Works Cited  Assume that many readers would not agree with your reading or your critical method and that you will need to persuade them.  See me for help and, if necessary, go to the Writing Center.  See the MLA Bibliography (also on-line), Academic Search Premier, and the card catalogue for reference to critics; not all reviews and Internet information are reliable.  Thus, do not count any Internet sources, reviews, excerpts, or encyclopedia entries in the 5 required sources.   The teacher will present essay suggestions in introductions and discussions.  See Plagiarism Policy.  20 points/ percent.  If you are doing  a  comparison  or haven't  written many papers,  see me for assistance, go to the Writing Center, and  consult Kelley Griffith's Writing Essays About Literature. 20 points

 

2.  Three Brief Papers of 1 1/2-2 ½ typed, double-spaced pages. Each should be a very specific interpretation and analysis of one aspect, such as an image or motif that interests you, of  the assigned novel.  Due on the first day of discussion for full credit and marked down one letter for each late class.  This should not be a summary or a like/ dislike reaction but should have a tightly focused thesis and demonstrate that you have finished and understand the text. 5 points each (15 points/percent). 

 

3.  Oral Presentation--an informal discussion of one of the assigned or Outside Readings,  either by yourself or with another person.  As above,  advance  and  support a thesis on a focused aspect  of  a fictional work.   Schedule a time with me as soon as possible, by the end of the fourth week at the latest. Recommended length: l0-20 minutes for each person.  If you are ill on the scheduled day, notify  me or the English secretary before classtime;  if you  do not,  the grade is 0.  The  presentation  must   be   well-prepared  and  well-delivered:  summary without analysis  is  not acceptable. 15 points

 

4. Choice of writing a

          a.  Paper of 5-10 typed pages on a different assigned or Outside Reading than in other papers..  

          or

     Fantasy short story of five to ten typed pages.  

Knowledge  of  fantasy elements and techniques  will  be judged  in  either  option.    Declare  option  by  the  end   of  the fourth week.  15 points

 

5.   Participation and Regular Attendance.  Completion  of  all  reading and other  work  on  time, preparation for and  participation in   discussions,   and regular  attendance.  Attendance grades will be based on attendance sheets.  Participation grades are based on in-class and small group discussion.  Up to three absences for illness may be excused if you email or phone me before class.  Four excused or unexcused absences may result in a grade of 0 for Attendance, a 10 percent reduction in course grade.  Leaving early, coming late, and interfering with class may also cause a lower grade here. If necessary,  quizzes will be  given.   15 points.

 

6.  Take-Home Final Examination.  20 points.

 

 

EXTRA CREDIT:

 

1. 2 points for handing in all assignments, including quizzes, papers, story (if chosen), and exams.

 

2. If class time permits, an extra-credit oral may be performed on an outside reading (see list). 

 

3. The Research or 5-10 page paper could include an outside text from list.  Points will be added to your total.

 

4.  1-3 points for Extra-Credit Films.  Write down director and cast for one point.

 

 

RECOMMENDED Extra-credit Films: Some sections may be shown in class: 

If you have seen the film, see it again and think about course concerns

The Hobbit. (old)

Return of the King. old and new.

The Lord of the Rings.

                The Never-ending Story

                Watership Down

                Star Wars.

                The Company of Wolves.

                Clash of the Titans

 

RECOMMENDED CRITICISM:

 

      Imaginary Worlds:  The Art of Fantasy.  Lin Carter.

     Of Other Worlds: Essays and Stories. C.S. Lewis.

     Fantasy and Mimesis: Responses to Reality in Western Literature.  Kathryn Hume.

     A Reader's Guide to Fantasy. Baird Searles, Beth Meacham, Michael Franklin.

     Tolkien: A Look Behind the Lord of the Rings.  Lin Carter.

     A Guide to Middle Earth(Concordance for The Lord  of  the

          Rings).  Robert Foster.

     Barbara Walker.  Women’s Encyclopedia of Myths and Secrets.

    "The Doctrine of Organic Unity: E.R. Eddison and the Romance Tradition."  Sharon

Wilson.  Extrapolation, 25 (Spring 1984), 12-19.

 

 

RECOMMENDED OUTSIDE READING:

 

The Robber Bride.     Margaret Atwood. 

The Handmaid's Tale.        

Oryx and Crake.                 

The  Fellowship of the Ring,  The Two Towers,  The Return of the King.  3 volumes.  J.R.R.

Tolkien.

A Wizard of Earthsea.  Ursula LeGuin.  Bantam

The Tombs of Atuan.  Ursula LeGuin.  Bantam

The Farthest Shore.      "              "

Marriage Between Zones 3,  4,  and 5.   Doris  Lessing. 

The Crock of Gold.  James Stephens (may be OP)

Moreta:  Dragonlady of Pern.  Anne McCaffrey.  Ballantine

Dragonflight.  Anne McCaffrey.  Ballantine

Dragonquest.        "              "

The White Dragon.   "              "

The Book of the Dun Cow.  Walter Wangerin.  Pocket

The Metamorphosis and Other Stories. (choose five or  six  stories).

Other Harry Potter books.  J. K. Rowling.

Fantastic Worlds:  Myths, Tales and Stories,  ed. Eric Rabkin (choose five or  six  stories, 

primarily twentieth-century)

The Fantastic  Imagination:   An Anthology  of  High Fantasy,  ed. Robert  Boyer  &  Kenneth 

Zahorski (choose five or six stories,  primarily twentieth-century)

 

Extra credit for one outside reading from  the above  list.   Substitutions  may be made only with the professor's consent, before the fourth week.

 

 

NOTE:  IF ANY WORK IS PLAGIARIZED, THE COURSE GRADE WILL BE "F."

 

GRADING:

 

100 points possible.

 

Assignment and course points equate to these percentages and grades.  Keep track of points so that you can figure your current grade by dividing your cumulative points by the total number of points for those activities.  In the case of in-class quizzes, keep track of percentages.  Scores may be viewed on Blackboard: http://unco.blackboard.com/.  If you are uncertain what you might do to improve, please see me.

 

Because your grade is based on percentage points, not completing all sections of an exam or all assigned work could mean course failure even if individual grades are passing. 

 

 

 GENERAL GRADING RUBRICS:

 

Essays will be graded holistically based on quality and effective expression of ideas. For an A or B, 

1. Papers must have a clear thesis on one focused aspect of the reading(s.) 

2. The thesis needs to take a position.

3. The thesis needs to be supported with details and short passages from the works.

4. The paper should show understanding of the texts.

5.  The paper must be clear, organized and use transitions.

6.  The paper must be relatively free of mechanical, punctuation, sentence structure, and

grammatical errors and should be free of cliches.

7.  The paper must be free of logical errors.

For a C, papers must display few of the above errors.  D and F papers display a number of the above problems.

 

Fantasies: grade is based on quality of idea and writing and on knowledge of fantasy.

 

 

DISABILITY STATEMENT:  Students with disabilities who believe they may need accommodations in this class are encouraged to contact the Disability Access Center, (970) 351-2289, as soon as possible to better ensure that accommodations are implemented in a timely fashion.