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Interpreting
Students' Spatial Experiences in the Contemporary Visual Media World
Beatriz Tomsic Cerkez
The proliferation of new technologies has affected
almost all aspects of our lives and resulted in a revolution in
the world of visual media. The "pictorial turn" is now
in progress. The ways we deal with the plethora of visual information
the world of visual media offers today open an inevitable number
of very interesting and highly-significant inquiries applied to
the field of education in general--and of (visual) art education
in particular, since it deals mostly with visual images of all kinds.
Especially worth note in today's school are those
students who are in daily contact with television or video with
its colorful, fast-moving sequences of images, and of course, computers,
which provide a wide range of possible uses and experiences. Scanning
and combining images, experimenting with tools offered by different
programs, exploring the possibility of multiple printings, and the
divergence between printed and screen images are only a few possible
areas to consider. These changes do not only imply increasing speed
of passing images, mechanical simplicity, and wide possibilities
in the resolution of different technical processes but perhaps most
of all a specific experience of space perception and representation,
which every student carries with him/herself to the classroom and
is essential to education in general, and to art education in particular. full
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Editor's
Note:
Karen
Heise
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The View
From Here:
Lynne Fukuda
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Who are
this issue's contributors?
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On
the Road Again: Travel Narrative as Comic Relief
Karen Heise
Perhaps more than any other human endeavor, traveling--widely,
freely, and leisurely--best encapsulates and yet enables the human
spirit. We cannot fly as birds, swim as fish, swing through vined
jungles like monkeys, and dig underground like moles, but we're
determined to try, and laugh at ourselves in the process. Our failures
are not fatal enough (usually) to daunt our wanderlust; neither
are treacherous roads, lost-ness, nearly rotten food, and disappointments
at the end of the journey's goal. We still press on, looking
for that "Holy Grail," usually unaware until the last
possible minute whether its origin is inside worth the pursuit we
religiously give it. full
text
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 Home-schooled Kid
Grace
Rood
Fiction:
Astrid
Peter
Pierre
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When
Overwhelmed by Students, Go Virtual
R. Thomas Berner
Until my last semester at Penn State, I never taught
a class larger than 25 students. The courses were "skills"
courses focusing on learning professional journalism skills rather
than theory. In such courses, students write a lot and instructors
are expected to promptly return papers--heavily edited. Individual
conferences are frequent, especially with students who are having
problems.
It is those conferences where the struggling student
suddenly has a revelation and learns something he or she was not
grasping in classroom discussion. Clearly, the best form of instruction
is one to one but it is impractical in some courses.
The pressure on class size is ever upward, limited
only in some cases by the lack of physical space. How long that
limitation will continue remains to be seen. This
problem of increasing class size is not going to go away, so what
can faculty reasonably do in the face of this mounting problem?
This is what I did. full
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Grist for the Mill: Questions for You |
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Call for Papers
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Academic Exchange Extra invites
reader responses
to any writings in this issue--especially articles advancing the scholarly
debate of issues raised.
You are invited to join AE Extra staff!
Send your ideas and/or writing sample
to the Editor-in-chief...
Editor-in-chief for Issue 6/2003:
Karen Heise
University of Northern Colorado (e-mail: kheise2000@yahoo.com)
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