Poetry:
Poetic Bricolage

Marlene de Beer
PhD Student
University of Ulster, Northern Ireland

Email: m.debeer@ulster.ac.uk

As I am [*1] 'inspired' by the work of Norman Denzin and Yvonne Lincoln (2000) and Michael Patton (2002a & b) the following poem symbolizes and affirms a sixth and seventh moment [*2] bricoleurship [*3] and narrative turn to poetics [*4] in educational research:

Bricolage

I do

I am
pleased to meet you!

I / you
on a journey
the naked gaze
does not see -- yet
the narrative turn...

choreography
emergent flexibility
a seventh moment
come with me
discover together

Through these poetically represented data, I challenge -

 games of truth
 & power-plays
 turned against
 themselves
 & each other

 ...outplayed [*5]


Data-poem 2. Personal reflective data poem on what I observed and experienced, written after the Bosnia & Herzegovina (1-14 April 2001) field research visit:

I WANT TO GO ON WITH MY LIFE

I feel
karmic energy
through ruins of
windows
walking on a living graveyard
through Sarejevo's pebbled market
hearing at night
ghostly cries.

places of worship shattered
for some a daily, living memory;
what secrets do your ruins hold?

I see
young faces
older faces
remembering
moments of horror, flickering

I see you in the window
staring - waiting

is it over?
is it safe?

where is my life?

where is my life?

where is my life?

Two souls connecting briefly
your soul older, experienced, tired;
mine younger, ignorant, innocent?
nothing is black &/or white
it's very grey
& everybody is innocent
does this make sense?

what is our role?
assisting them to go on with their lives
to reconstruct it as before?
or new, changed, reformed?

modernised?

I hear
a baby crying
an old crone carrying her
bending forward
begging
to live
in the cold rainy night
of Sarajevo.

Our grandeur
our 4x4's
our fancy hotels & restaurants
our expert advice & assistance

not understanding
my language
what version do you hear?

our delusion / illusion
that we may save you!

Grand buildings with high walls, fences
high-Tech security

keeping us out?
keeping you safe?

keeping the divide
maintaining the separation

& then you talk about social cohesion [*6]
harmonisation?

& me being observing & writing this
the ultimate intruder
for the sake of academic research
what is the lessons that I learn?

what is the lessons that we learn?

what is the lessons that we learn?


Data-poem 3. This is connected to the previous poem, and is a personal, reflective data poem with an epistemological undertone.

LESSONS LEARNED?

our delusion, illusion
that we may save you

our grandeur
our 4x4's
our fancy hotels and restaurants
our expert advice and assistance

what an insult
your language
we don't understand
not hearing
your sacred voice

our fancy buildings
with high walls
high-tech security
keeping us safe

keeping you out
keeping the divide
maintaining the separation

now,
as then,
continuing the deceit

lessons not learned


Data-poem 4. This combines personal data (interpretations, reflections and observations) with empirical data (interviews), with a textual ending.

TO CONFORM

OR TO TRANSFORM

Human Rights
is not Human Rights

if the language of human rights
needs to be 'softened'
if sexual orientation
has to be taken out

silencing our voice
making us invisible
creating an illusion
of social cohesion

only if you and I conform
will we be accepted
included
in citizenship education.

We are the human rights generation
accepting nothing less than human rights

We will know them and claim them
For all women, men, youth and children

From those who speak human rights
But deny them to their own people [*7]


Data-poem 5. Connecting with the previous poem and founded on empirical data (interview notes and document analysis), personal data (interpretations, reflections and observations), two lines of textual data at the end, and poses an epistemological question / concern.

JUDGE & JURY

I ask you --
Are we the human rights generation?

in Northern Ireland:
 sexual orientation
 out of citizenship education

in the United Kingdom:
 Section 28 limit discussion
 but Section 75 of the Northern Ireland Act promotes equality!

in the Republic of Ireland:
the Employment Equality and Equal Status Acts provide no protection for teachers;
 faith schools have an opt out clause!

in South Africa:
 a Bill of Rights & Equality Clause
 protects sexual orientation
but the test cases always a struggle!

I ask you --
Are we the human rights generation?
Do we know them & claim them -
From those who speak human rights
But deny them to their own people [*7]

Your verdict.


Data-poem 6. Constructed by integrating personal data (interpretations, reflections and observations) and empirical data (transcribed interview notes [*8], shown as italics).

CHASING FASHION & TALKING BOXES

yesterday that -
today this -
another jargon -
 Social Cohesion
 created by whom?
 for what purpose?
Social Capital [*9]
 it's a religion on its own!

Conform to the rhetoric
 of Puppeteers
queue for a ticket -
 "My lad, quite expensive I must say!"
enter the arena -
 a clown's laughter
 the circus master's lightning whip

all boxed in nicely now!
 becoming front soldiers

 STOP
think
outside
 the box -

drum the spirit free!


Data-poem 7. SOCIAL COHESION DIALOGUES

 

In the above poem, the first dialogue box contains textual data of Stephen Heyneman (in Guthrie, 2003, pp. 2243-2250); the second and third dialogue boxes provide empirical data obtained during Friday lunch-time seminar series [*11]; all other dialogue boxes represent verbatim quotations from a transcribed interview with Catherine Odora Hoppers, 28 November 2001).

 


The next data poem contains empirical data (verbatim quotations from transcribed interview with Catherine Odora Hoppers, 28 November 2001, shown as italics) and textual data (Odora Hoppers, 1998, pp. 175-176, 12, 24, 179].

Data-poem 8. A THIRD WORLD'S LOT?

I. prostrated
 a world
 discovered
 invaded
 subjugated
 governed

a world
 to be
educated
converted
 assisted

spirit
 prostrated!
 domesticated

 up the social-Darwinist ladder!
 false egalitarian mask!

II. contained

a kind of ethos
governs
the international system

the world
run
 by the powerful.

Global politics
& unwritten policy
contain the 3rd world countries

ensure that certain things
that hurt them
never succeed!

 Structural Adjustment [*12]
 an army
 sucking out sources
 & money
 back into its coffers!

 the little that
 trickles
 only alleviates

This is where the bitterness comes from.
This is the valley of the shadow of death.


Data-poem 9. Based on empirical data: verbatim quotations, with minor modification, from transcribed interview with Catherine Odora Hoppers, 28 November 2001.

THE BEASTLY FEAST?

 your face
 a double face
 a Devil's face!

one face
turned towards your own society
deplores any injustice.

turning your other face
looking outwards
your morality changes
your ethics change.

Like a flood light
 it beams out
from the North to the South

 scrutinising
 one-way
 like a torch

 never back
 never -
 the other way!

 backed by science
 backed by the military
 backed by anthropology
 backed by sociology

 denial of humanity
 no morning
 only righteousness

 a sickening feeling in the pit of people's stomachs!

 (Dear) Complicated Beast [*13],
 can we beam it the other way
have the discussions in a reciprocal way
talk as people to people?


Data poem 10. Epistemological and personal reflective data poem founded on observations and interview notes, with a textual ending (Odora Hoppers, 2001, p. 36 [indicated in italics]).

DEVELOPMENT AID

are you merely a diplomat?
on an exciting mission

perceiving that you are saving me
my country from destruction

in the name of development and aid
what are your motives?

 I am not here to imitate you
 Your values
 Your world
 Your policies and plans.

hear, value, learn and work
with my indigenous knowledge and wisdom
my strengths and weaknesses
my vulnerability and creative intelligence.

our collective consciousness
 traumatised by
 slavery
 holocaust
 civil conflicts
 apartheid
 genocide
 war retaliation
 all the -isms, phobias and divisions
 (western) greed and materialism
 environmental destruction and exploitation

can we have a partnership?
 can we have a win-win agreement?

Finding
 Spirit.

I am a wounded healer...         and you?


Data poem 11. Founded on personal reflexive, textual and epistemological considerations relating to the themes of education, social cohesion and diversity (constructed 8 April 2003; shown as PowerPoint slide and textual 'referencing' afterwards).


NOTES

[1] Marlene de Beer is a South African national, and is currently studying at the University of Ulster in Northern Ireland on a United Nations Educational, Scientific and Cultural Organisation (UNESCO) PhD studentship. She has studied social work [BA (Soc. Sc.)] and community development [MA (Soc. Sc.)], and has worked in these areas. Marlene has also lectured in community policing at Technikon South Africa (1994 - 2000). She was introduced to data poetry in 1999 and has since experimented within this genre. Opinions expressed and conclusions arrived at in this article are those of the author and cannot necessarily be attributed to the UNESCO Centre or the University of Ulster. E-mail: m.debeer@ulster.ac.uk / de_beer_marlene@hotmail.com

Previous versions of poetically represented data poems that appear in this article were presented in:

  • de Beer, Marlene. (2002, June 12-13). Methodology, voice and ownership in qualitative PhD research. Paper presented at the Irish Social Policy Association Postgraduate Conference, Jordanstown, Northern Ireland.
  • ___. (2002, September 21). In search of a heart for the complicated beast and his feastings: International organisations intervention in developing social cohesion through education--using poetry in qualitative education research. Paper presented at the 15th annual Conference on Women's Studies: Beyond Sex and Gender? Centre for Women's Studies, Queen's University, Belfast, Northern Ireland.
  • ___. (2003, February 14-16). Social cohesion and education: Reflections and implications for the lesbian community. Paper presented at the Lesbian Lives X Conference, Women's Education, Research and Resource Centre, University College Dublin, Ireland.
  • ___. (2003, September 10). A Seventh Moment Bricoleurship and Narrative Turn To Poetics in Educational Research. Paper presented at the British Educational Research Association Annual Student Conference, Heriot-Watt University, Edinburgh. Education-line: http://www.leeds.ac.uk/educol/documents/00003137.htm
  • ___. (2003). Echoes of a Wounded African Healer. Journal of Critical Inquiry into Curriculum & Instruction, 5(2): in press. <Back>

[2] Using Norman Denzin and Yvonne Lincoln's (2000) evolutionary framework for various qualitative research phases (pp. 3, 12-17, 1047-1063; also see Patton, 2002a, pp. 79-80), I place this article within the post experimental sixth moment (since 1995) and seventh moment (since 2000) of qualitative research. According to Denzin and Lincoln, within the sixth moment, research boundaries are expanded to include creative nonfiction, autobiographical ethnography, poetic representations, and multimedia presentations. They add: "The seventh moment is concerned with moral discourse, with the development of sacred textualities. ...asks that the social sciences and humanities become sites for critical conversation about democracy, race, gender, class, nation-states, globalisation, freedom, and community" (p. 3). <Back>

[3] Bricoleurship means Jack of all trade / professional do-it-yourself(see Claude Lévi-Strauss, 1972, pp. 16-36). The interpretive bricoleur produces a bricolage --a pieced-together set of representations fitted to the specifics of a complex situation, thus producing an emergent construction that changes and takes new forms as different (or new, invented, pieced together) tools, methods and techniques of representation and interpretation are added to the puzzle. The term indicates a pragmatic, strategic, self-reflexive and aesthetic practice (Denzin & Lincoln, 2000, p. 4), also seen as a third moment or blurred genre phase from 1970 onwards. <Back>

[4] Arts-Based Educational Research and Poetically Represented Data: In poetry construction and integration, I have used the following four forms of poetically represented data (Anne Sullivan 1999, p.1) that make culturally relevant qualitative research possible in educational research (Michelle Commeyras & Anne Sullivan 2000).

  • Textual data poems are constructed from published text rather than empirical data.
  • Empirical data poems are constructed from qualitative data (using the words /language /verbatim quotations of respondents, informants).
  • Personal data or experience poems grow out of informal empirical data, from experience and observation, without the intermediary of a formal data gathering process. "They are poems about rather than of a specific context or interaction, often retrospectively. They represent the researcher's experience and suggest a meaning or a range of meanings" (Anne Sullivan, 1999, p. 1). The researcher's own words, interpretation, and reflections on field research experience and related observations are, therefore, used.
  • Epistemological poems are likely to provoke questions, suggest possibilities, and stimulate thoughtful discussion for underlying concerns of the nature of knowledge and how we come to know.

The distinctions among these four forms of poetically represented data have been useful to my thinking about constructing poems in a research context.

Through poetic representation of data, the researcher filters data, "distilling for significances, making meaningful juxtapositions, and generating a shape that enhances intended meanings. As the researcher highlights significant patterns, tensions, and themes, the conscious act of shaping the poem becomes simultaneously both an act of representation and an act of interpretation" (Anne Sullivan, 1999, p. 1). Poetically presented data often presents an image or a metaphor, and can reveal what was previously concealed (Tom Barone, 2001, p. 25; Elliot Eisner, 1997, p. 7; Margarete Sandeloswki, 1994, pp. 46-63; Lesley Saunders, 2003). It can provide a productive ambiguity and can result in less closure and more plausible interpretations of meaning (Elliot Eisner, p. 8). Poetic methods for qualitative data analysis and presentation are particularly suitable if the data conveys dynamic tension in categories and/or feelings (Anne Sullivan 1999, p.1).

Many have linked reflective narrative writing, including poetic methods, with an epistemology for consciousness and with critical concepts of feminism, Freire, Dewey, and Foucault (for more detail see Tom Barone, 2001, p. 25; Michelle Commeyras, 1999, p. 5; Mary Cooper & Sue Burroughs-Lange, 1999, pp. 401-404, 407; Marlene de Beer, 2002; Elliot Eisner, 1997, pp. 5, 7-8; Paulo Freire, 1970/1994; Jim Garrison, 1998, pp. 131-132; Willis Harman, 1996, pp. 35-37; Karen Norum, 2000, pp. 247-249; William Pinar, 1975, pp. 271, 399-400, 407, 413, 415, 445; Laurel Richardson, 1993, pp. 695, 697, 705-6; Dick Stanley, 1990, p. 23; Anne Sullivan, 1999, p. 1, 2000, pp. 220-221, 226). <Back>

[5] Textual data taken from Deacon, Roger. (1996). Discourses of discipline in South Africa: Rethinking critical pedagogies in postmodernity. Discourse: Studies in the Cultural Politics of Education, 17(2), 238-239. See, also, Herman, Nilson. (1998). Michael Foucault and games of truth. Basingstoke: Macmillan. <Back>

[6] There are multiple perspectives on social cohesion, and the following could be seen as influential academic conceptual developments:

  • Social cohesion is a ongoing process that deals with bipolar dimensions of: belonging / isolation, inclusion / exclusion, participation / non-involvement, recognition / rejection, legitimacy / illegitimacy, equality / inequality, reciprocity, trust, hope and shared values (Paul Bernard, 1999; Caroline Beauvais and Jane Jenson, 2002; Sharon Jeannotte, 2000; Sharon Jeannotte, Dick Stanley, Ravi Pendakur, Bruce Jamieson, Maureen Williams, and Amanda Aizlewood, 2002; Jane Jenson, 1998 and 2002; Dick Stanley, 2002; Maureen Williams, 2001).
  • Social cohesion is about wanting to take part (vs. dropping out / opting out); being allowed to take part (vs. discrimination); and being able to take part (vs. deprivation, enabling) (Talja Blockland, 2000. pp. 56-70, also see Selma Sevenhuijsen, 1998). <Back>

[7] Textual data taken from Shulamith Koenig's (Executive Director of PDHRE-People's Movement for Human Rights Education, formally known as People's Decade for Human Rights Education) pledge in Developing Sustainable Human Rights Cities: Knowing, Claiming and Securing Our Right to be Human (see http://www.pdhre.org/). I also had email and telephone discussions with her during 2001. <Back>

[8] Transcribed interview with Catherine Odora Hoppers, on 28 November 2001, at the Project Literacy/ National Department of Education/ USAID Conference on the role of adult education in sustainable development: 27-29 November 2001, Johannesburg, South Africa.

Biographical data of Prof. Catherine Odora Hoppers: She was educated in Uganda, Zambia and Sweden, and is a social scientist who received her PhD from Stockholm University. She joined the University of Pretoria in South Africa during June 2001, and has extensive experience in development policy, international and comparative education, gender, peace studies and indigenous knowledge systems. Prof. Odora Hoppers has served on international inter-agency commissions on education and is a consultant to UNESCO (Paris), and adviser to the UNESCO Institute for Education (Hamburg). She has also provided technical expertise to African ministers of education under the auspices of UNESCO (MINEDAF), and the Organisation of African Unity. She has taught in university programmes in Scandinavia and Southern Africa, and serves as a resource person to various universities and science councils in South Africa. <Back>

[9] Social Capital as introduced by James Coleman (1988) and taken further by Robert Putnam (1993, 1995, 2000) can be understood (in short) as social networks, informed by trust, which enable practices of reciprocity. I also identify the influence, confusion, and anomaly between social cohesion and social capital (e.g. international organistions as the World Bank use social capital in relation to investment, financial and economical advancement). Also see Murray Print and David Coleman (2003). <Back>

[10] UBUNTU is an African word, practice and philosophy that signify 'I am because you are', or 'a person is a person through other persons'. Ubuntu involves be-ing, experience, knowledge and truth in the plurality of its voices and presents it through the voice from within. It renders a human-ness, whole-ness and flow of be-ing and becoming. It is never fixed or rigidly closed; it allows others to be, to become. There is a dialogue of mutual exposure: "To be human is to affirm one's humanity by recognizing the humanity of others in its infinite variety of content and form." Ubuntu substitutes "I think, therefore I am", for, "I participate, therefore I am" (for example see Johann Broodryk, 2002 & Mogobe Ramose, 2002).

Although there appears no rule regarding the casing of the word, it appears as if more authors use the uppercase formatting for every letter of the word to let it stand out and to make a definite statement that it is a lifestyle, movement, practice, way of being ... and indigenous to the African Culture and to celebrate the African Renaissance. <Back>

[11] The 2nd dialogue box contains empirical data provided by Brendan Hartop, Director: International Projects, UNESCO Centre, School of Education (University of Ulster, Northern Ireland), during a Friday lunch-time seminar series (28 June 2002). The 3rd dialogue box contains empirical data provided by a male senior lecturer in the School of Education (University of Ulster, Northern Ireland), during a Friday lunch-time seminar series (17 May 2002). <Back>

[12] Structural Adjustment loans by the World Bank in Third World Countries were designed as supporting measures to remove excessive government controls, "getting factor and product prices to reflect scarcity values, and promoting market competition" (Todaro, 1994, p. 703). The loans were severely critiqued and caused widespread skepticism; for example, see Bobby Soobrayan (1994) and Catherine Odora Hoppers (1998). <Back>

[13] Empirical data taken from an anonymous respondent during an interview session (2001) (she has extensive international education experience in Europe with various international and bilateral organisations). <Back>

 

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In search of a heart for the complicated beast and his feastings: Interventions by international organisations in developing social cohesion through education - using poetry in qualitative education research. Paper delivered at the 15th annual Conference on Women's Studies: Beyond Sex and Gender? Centre for Women's Studies, Queen's University, Belfast, Northern Ireland.
 
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* Michelle Commeyras and Anne McCrary Sullivan did a joint presentation; though both had their own work and separate written materials to distribute. Commeyras focused more on practical examples, while Sullivan focused more on the theory and methodology. Their work is accredited and referenced accordingly.


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