 |
Poetry:
Poetic Bricolage
Marlene de Beer
PhD Student
University of Ulster, Northern Ireland
Email: m.debeer@ulster.ac.uk
As I am [*1]
'inspired' by the work of Norman Denzin and Yvonne Lincoln (2000) and
Michael Patton (2002a & b) the following poem symbolizes and affirms
a sixth and seventh moment [*2] bricoleurship [*3]
and narrative turn to poetics [*4] in educational research:
Bricolage
I do
I am
pleased to meet you!
I / you
on a journey
the naked gaze
does not see -- yet
the narrative turn...
choreography
emergent flexibility
a seventh moment
come with me
discover together
Through these poetically represented data, I challenge -
games
of truth
&
power-plays
turned
against
themselves
&
each other
...outplayed
[*5]
Data-poem 2. Personal reflective data poem on what I observed
and experienced, written after the Bosnia & Herzegovina (1-14 April
2001) field research visit:
I WANT TO GO ON WITH MY LIFE
I feel
karmic energy
through ruins of
windows
walking on a living graveyard
through Sarejevo's pebbled market
hearing at night
ghostly cries.
places of worship shattered
for some a daily, living memory;
what secrets do your ruins hold?
I see
young faces
older faces
remembering
moments of horror, flickering
I see you in the window
staring - waiting
is it over?
is it safe?
where is my life?
where is my life?
where is my life?
Two souls connecting briefly
your soul older, experienced, tired;
mine younger, ignorant, innocent?
nothing is black &/or white
it's very grey
& everybody is innocent
does this make sense?
what is our role?
assisting them to go on with their lives
to reconstruct it as before?
or new, changed, reformed?
modernised?
I hear
a baby crying
an old crone carrying her
bending forward
begging
to live
in the cold rainy night
of Sarajevo.
Our grandeur
our 4x4's
our fancy hotels & restaurants
our expert advice & assistance
not understanding
my language
what version do you hear?
our delusion / illusion
that we may save you!
Grand buildings with high walls, fences
high-Tech security
keeping us out?
keeping you safe?
keeping the divide
maintaining the separation
& then you talk about social cohesion [*6]
harmonisation?
& me being observing & writing this
the ultimate intruder
for the sake of academic research
what is the lessons that I learn?
what is the lessons that we learn?
what is the lessons that we learn?
Data-poem 3. This is connected to the previous poem, and is a
personal, reflective data poem with an epistemological undertone.
LESSONS LEARNED?
our delusion, illusion
that we may save you
what an insult
your language
we don't understand
not hearing
your sacred voice
our fancy buildings
with high walls
high-tech security
keeping us safe
keeping you out
keeping the divide
maintaining the separation
now,
as then,
continuing the deceit
lessons not learned
Data-poem 4. This combines personal data (interpretations, reflections
and observations) with empirical data (interviews), with a textual ending.
TO CONFORM
OR TO TRANSFORM
Human Rights
is not Human Rights
if the language of human rights
needs to be 'softened'
if sexual orientation
has to be taken out
silencing our voice
making us invisible
creating an illusion
of social cohesion
only if you and I conform
will we be accepted
included
in citizenship education.
We are the human rights generation
accepting nothing less than human rights
We will know them and claim them
For all women, men, youth and children
From those who speak human rights
But deny them to their own people [*7]
Data-poem 5. Connecting with the previous poem and founded on
empirical data (interview notes and document analysis), personal data
(interpretations, reflections and observations), two lines of textual
data at the end, and poses an epistemological question / concern.
JUDGE & JURY
I ask you --
Are we the human rights generation?
in Northern Ireland:
sexual
orientation
out
of citizenship education
in the United Kingdom:
Section
28 limit discussion
but
Section 75 of the Northern Ireland Act promotes equality!
in the Republic of Ireland:
the Employment Equality and Equal Status Acts provide no protection for
teachers;
faith
schools have an opt out clause!
in South Africa:
a
Bill of Rights & Equality Clause
protects
sexual orientation
but
the test cases always a struggle!
I ask you --
Are we the human rights generation?
Do we know them & claim them -
From those who speak human rights
But deny them to their own people [*7]
Your verdict.
Data-poem 6. Constructed by integrating personal data (interpretations,
reflections and observations) and empirical data (transcribed interview
notes [*8], shown as italics).
CHASING FASHION & TALKING BOXES
yesterday that -
today this -
another jargon -
Social
Cohesion
created
by whom?
for what
purpose?
Social
Capital [*9]
it's a
religion on its own!
Conform to the rhetoric
of
Puppeteers
queue for a ticket -
"My
lad, quite expensive I must say!"
enter the arena -
a
clown's laughter
the
circus master's lightning whip
all boxed in nicely now!
becoming
front soldiers
STOP
think
outside
the
box -
drum the spirit free!
Data-poem 7. SOCIAL COHESION DIALOGUES

In the above poem, the first dialogue box contains
textual data of Stephen Heyneman (in Guthrie, 2003, pp. 2243-2250); the
second and third dialogue boxes provide empirical data obtained during
Friday lunch-time seminar series [*11]; all other dialogue
boxes represent verbatim quotations from a transcribed interview with
Catherine Odora Hoppers, 28 November 2001).
The next data poem contains empirical data (verbatim quotations from
transcribed interview with Catherine Odora Hoppers, 28 November 2001,
shown as italics) and textual data (Odora Hoppers, 1998, pp. 175-176,
12, 24, 179].
Data-poem 8. A THIRD WORLD'S LOT?
I. prostrated
a
world
discovered
invaded
subjugated
governed
a world
to
be
educated
converted
assisted
spirit
prostrated!
domesticated
up
the social-Darwinist ladder!
false
egalitarian mask!
II. contained
a kind of ethos
governs
the international system
the world
run
by the
powerful.
Global politics
& unwritten policy
contain the 3rd world countries
ensure that certain things
that hurt them
never succeed!
Structural
Adjustment [*12]
an
army
sucking
out sources
&
money
back into
its coffers!
the
little that
trickles
only alleviates
This is where the bitterness comes from.
This is the valley of the shadow of death.
Data-poem 9. Based on empirical data: verbatim quotations, with
minor modification, from transcribed interview with Catherine Odora Hoppers,
28 November 2001.
THE BEASTLY FEAST?
your
face
a
double face
a
Devil's face!
one face
turned towards your own society
deplores any injustice.
turning your other face
looking outwards
your morality changes
your ethics change.
Like a flood light
it
beams out
from the North to the South
scrutinising
one-way
like
a torch
never
back
never
-
the
other way!
backed
by science
backed
by the military
backed
by anthropology
backed
by sociology
denial
of humanity
no
morning
only
righteousness
a
sickening feeling in the pit of people's stomachs!
(Dear)
Complicated Beast [*13],
can
we beam it the other way
have
the discussions in a reciprocal way
talk as people to people?
Data poem 10. Epistemological and personal reflective data poem
founded on observations and interview notes, with a textual ending (Odora
Hoppers, 2001, p. 36 [indicated in italics]).
DEVELOPMENT AID
are you merely a diplomat?
on an exciting mission
perceiving that you are saving me
my country from destruction
in the name of development and aid
what are your motives?
I
am not here to imitate you
Your
values
Your
world
Your
policies and plans.
hear, value, learn and work
with my indigenous knowledge and wisdom
my strengths and weaknesses
my vulnerability and creative intelligence.
our collective consciousness
traumatised
by
slavery
holocaust
civil
conflicts
apartheid
genocide
war
retaliation
all
the -isms, phobias and divisions
(western)
greed and materialism
environmental
destruction and exploitation
can we have a partnership?
can
we have a win-win agreement?
Finding
Spirit.
I am a wounded healer...
and you?
Data poem 11. Founded on personal reflexive, textual and epistemological
considerations relating to the themes of education, social cohesion and
diversity (constructed 8 April 2003; shown as PowerPoint slide and textual
'referencing' afterwards).


NOTES
[1] Marlene de Beer is a South African national, and is currently studying
at the University of Ulster in Northern Ireland on a United Nations Educational,
Scientific and Cultural Organisation (UNESCO) PhD studentship. She has
studied social work [BA (Soc. Sc.)] and community development [MA (Soc.
Sc.)], and has worked in these areas. Marlene has also lectured in community
policing at Technikon South Africa (1994 - 2000). She was introduced to
data poetry in 1999 and has since experimented within this genre. Opinions
expressed and conclusions arrived at in this article are those of the
author and cannot necessarily be attributed to the UNESCO Centre or the
University of Ulster. E-mail: m.debeer@ulster.ac.uk
/ de_beer_marlene@hotmail.com
Previous versions of poetically represented data poems that appear in
this article were presented in:
- de Beer, Marlene. (2002, June 12-13). Methodology, voice and ownership
in qualitative PhD research. Paper presented at the Irish Social Policy
Association Postgraduate Conference, Jordanstown, Northern Ireland.
- ___. (2002, September 21). In search of a heart for the complicated
beast and his feastings: International organisations intervention in
developing social cohesion through education--using poetry in qualitative
education research. Paper presented at the 15th annual Conference on
Women's Studies: Beyond Sex and Gender? Centre for Women's Studies,
Queen's University, Belfast, Northern Ireland.
- ___. (2003, February 14-16). Social cohesion and education: Reflections
and implications for the lesbian community. Paper presented at the Lesbian
Lives X Conference, Women's Education, Research and Resource Centre,
University College Dublin, Ireland.
- ___. (2003, September 10). A Seventh Moment Bricoleurship and Narrative
Turn To Poetics in Educational Research. Paper presented at the
British Educational Research Association Annual Student Conference,
Heriot-Watt University, Edinburgh. Education-line: http://www.leeds.ac.uk/educol/documents/00003137.htm
- ___. (2003). Echoes of a Wounded African Healer. Journal of Critical
Inquiry into Curriculum & Instruction, 5(2): in press.
<Back>
[2] Using Norman Denzin and Yvonne Lincoln's (2000) evolutionary framework
for various qualitative research phases (pp. 3, 12-17, 1047-1063; also
see Patton, 2002a, pp. 79-80), I place this article within the post
experimental sixth moment (since 1995) and seventh moment (since
2000) of qualitative research. According to Denzin and Lincoln, within
the sixth moment, research boundaries are expanded to include creative
nonfiction, autobiographical ethnography, poetic representations, and
multimedia presentations. They add: "The seventh moment is concerned
with moral discourse, with the development of sacred textualities. ...asks
that the social sciences and humanities become sites for critical conversation
about democracy, race, gender, class, nation-states, globalisation, freedom,
and community" (p. 3). <Back>
[3] Bricoleurship means Jack of all trade / professional
do-it-yourself(see Claude Lévi-Strauss, 1972, pp. 16-36). The interpretive
bricoleur produces a bricolage --a pieced-together set of representations
fitted to the specifics of a complex situation, thus producing an emergent
construction that changes and takes new forms as different (or new, invented,
pieced together) tools, methods and techniques of representation and interpretation
are added to the puzzle. The term indicates a pragmatic, strategic, self-reflexive
and aesthetic practice (Denzin & Lincoln, 2000, p. 4), also seen as
a third moment or blurred genre phase from 1970 onwards. <Back>
[4] Arts-Based Educational Research and Poetically Represented Data:
In poetry construction and integration, I have used the following four
forms of poetically represented data (Anne Sullivan 1999, p.1) that make
culturally relevant qualitative research possible in educational research
(Michelle Commeyras & Anne Sullivan 2000).
- Textual data poems are constructed from published text rather
than empirical data.
- Empirical data poems are constructed from qualitative data
(using the words /language /verbatim quotations of respondents, informants).
- Personal data or experience poems grow out of informal
empirical data, from experience and observation, without the intermediary
of a formal data gathering process. "They are poems about rather
than of a specific context or interaction, often retrospectively.
They represent the researcher's experience and suggest a meaning or
a range of meanings" (Anne Sullivan, 1999, p. 1). The researcher's
own words, interpretation, and reflections on field research experience
and related observations are, therefore, used.
- Epistemological poems are likely to provoke questions, suggest
possibilities, and stimulate thoughtful discussion for underlying concerns
of the nature of knowledge and how we come to know.
The distinctions among these four forms of poetically represented data
have been useful to my thinking about constructing poems in a research
context.
Through poetic representation of data, the researcher filters data, "distilling
for significances, making meaningful juxtapositions, and generating a
shape that enhances intended meanings. As the researcher highlights significant
patterns, tensions, and themes, the conscious act of shaping the poem
becomes simultaneously both an act of representation and an act of interpretation"
(Anne Sullivan, 1999, p. 1). Poetically presented data often presents
an image or a metaphor, and can reveal what was previously concealed (Tom
Barone, 2001, p. 25; Elliot Eisner, 1997, p. 7; Margarete Sandeloswki,
1994, pp. 46-63; Lesley Saunders, 2003). It can provide a productive ambiguity
and can result in less closure and more plausible interpretations of meaning
(Elliot Eisner, p. 8). Poetic methods for qualitative data analysis and
presentation are particularly suitable if the data conveys dynamic tension
in categories and/or feelings (Anne Sullivan 1999, p.1).
Many have linked reflective narrative writing, including poetic methods,
with an epistemology for consciousness and with critical concepts of feminism,
Freire, Dewey, and Foucault (for more detail see Tom Barone, 2001, p.
25; Michelle Commeyras, 1999, p. 5; Mary Cooper & Sue Burroughs-Lange,
1999, pp. 401-404, 407; Marlene de Beer, 2002; Elliot Eisner, 1997, pp.
5, 7-8; Paulo Freire, 1970/1994; Jim Garrison, 1998, pp. 131-132; Willis
Harman, 1996, pp. 35-37; Karen Norum, 2000, pp. 247-249; William Pinar,
1975, pp. 271, 399-400, 407, 413, 415, 445; Laurel Richardson, 1993, pp.
695, 697, 705-6; Dick Stanley, 1990, p. 23; Anne Sullivan, 1999, p. 1,
2000, pp. 220-221, 226). <Back>
[5] Textual data taken from Deacon, Roger. (1996). Discourses of discipline
in South Africa: Rethinking critical pedagogies in postmodernity. Discourse:
Studies in the Cultural Politics of Education, 17(2), 238-239. See,
also, Herman, Nilson. (1998). Michael Foucault and games of truth.
Basingstoke: Macmillan. <Back>
[6] There are multiple perspectives on social cohesion, and the
following could be seen as influential academic conceptual developments:
- Social cohesion is a ongoing process that deals with bipolar dimensions
of: belonging / isolation, inclusion / exclusion, participation / non-involvement,
recognition / rejection, legitimacy / illegitimacy, equality / inequality,
reciprocity, trust, hope and shared values (Paul Bernard, 1999; Caroline
Beauvais and Jane Jenson, 2002; Sharon Jeannotte, 2000; Sharon Jeannotte,
Dick Stanley, Ravi Pendakur, Bruce Jamieson, Maureen Williams, and Amanda
Aizlewood, 2002; Jane Jenson, 1998 and 2002; Dick Stanley, 2002; Maureen
Williams, 2001).
- Social cohesion is about wanting to take part (vs. dropping out /
opting out); being allowed to take part (vs. discrimination); and being
able to take part (vs. deprivation, enabling) (Talja Blockland, 2000.
pp. 56-70, also see Selma Sevenhuijsen, 1998). <Back>
[7] Textual data taken from Shulamith Koenig's (Executive Director of
PDHRE-People's Movement for Human Rights Education, formally known as
People's Decade for Human Rights Education) pledge in Developing Sustainable
Human Rights Cities: Knowing, Claiming and Securing Our Right to be Human
(see http://www.pdhre.org/). I also had email and
telephone discussions with her during 2001. <Back>
[8] Transcribed interview with Catherine Odora Hoppers, on 28 November
2001, at the Project Literacy/ National Department of Education/ USAID
Conference on the role of adult education in sustainable development:
27-29 November 2001, Johannesburg, South Africa.
Biographical data of Prof. Catherine Odora Hoppers: She was educated
in Uganda, Zambia and Sweden, and is a social scientist who received her
PhD from Stockholm University. She joined the University of Pretoria in
South Africa during June 2001, and has extensive experience in development
policy, international and comparative education, gender, peace studies
and indigenous knowledge systems. Prof. Odora Hoppers has served on international
inter-agency commissions on education and is a consultant to UNESCO (Paris),
and adviser to the UNESCO Institute for Education (Hamburg). She has also
provided technical expertise to African ministers of education under the
auspices of UNESCO (MINEDAF), and the Organisation of African Unity. She
has taught in university programmes in Scandinavia and Southern Africa,
and serves as a resource person to various universities and science councils
in South Africa. <Back>
[9] Social Capital as introduced by James Coleman (1988) and taken
further by Robert Putnam (1993, 1995, 2000) can be understood (in short)
as social networks, informed by trust, which enable practices of reciprocity.
I also identify the influence, confusion, and anomaly between social
cohesion and social capital (e.g. international organistions
as the World Bank use social capital in relation to investment, financial
and economical advancement). Also see Murray Print and David Coleman (2003).
<Back>
[10] UBUNTU is an African word, practice and philosophy that signify
'I am because you are', or 'a person is a person through other persons'.
Ubuntu involves be-ing, experience, knowledge and truth in the plurality
of its voices and presents it through the voice from within. It renders
a human-ness, whole-ness and flow of be-ing and becoming. It is never
fixed or rigidly closed; it allows others to be, to become. There is a
dialogue of mutual exposure: "To be human is to affirm one's humanity
by recognizing the humanity of others in its infinite variety of content
and form." Ubuntu substitutes "I think, therefore I am",
for, "I participate, therefore I am" (for example see Johann
Broodryk, 2002 & Mogobe Ramose, 2002).
Although there appears no rule regarding the casing of the word, it appears
as if more authors use the uppercase formatting for every letter of the
word to let it stand out and to make a definite statement that it is a
lifestyle, movement, practice, way of being ... and indigenous to the
African Culture and to celebrate the African Renaissance. <Back>
[11] The 2nd dialogue box contains empirical data provided
by Brendan Hartop, Director: International Projects, UNESCO Centre, School
of Education (University of Ulster, Northern Ireland), during a Friday
lunch-time seminar series (28 June 2002). The 3rd dialogue
box contains empirical data provided by a male senior lecturer in the
School of Education (University of Ulster, Northern Ireland), during a
Friday lunch-time seminar series (17 May 2002). <Back>
[12] Structural Adjustment loans by the World Bank in Third World Countries
were designed as supporting measures to remove excessive government controls,
"getting factor and product prices to reflect scarcity values,
and promoting market competition" (Todaro, 1994, p. 703). The loans
were severely critiqued and caused widespread skepticism; for example,
see Bobby Soobrayan (1994) and Catherine Odora Hoppers (1998). <Back>
[13] Empirical data taken from an anonymous respondent during an interview
session (2001) (she has extensive international education experience in
Europe with various international and bilateral organisations). <Back>
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* Michelle Commeyras and Anne McCrary Sullivan did a joint presentation;
though both had their own work and separate written materials to distribute.
Commeyras focused more on practical examples, while Sullivan focused more
on the theory and methodology. Their work is accredited and referenced
accordingly.
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>.
Created: 20 January
2004.
Updated: --.
Accessed:
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