Editor's Note, September 2004 Elizabeth Haller Welcome back to a new edition of Academic Exchange Extra and, for many, to the start of a new school year. It is a time of much excitement as we set our eyes on new faces, fresh viewpoints, and glistening potential. As always, let us do our very best to impart knowledge, patience, and self-confidence on those we are fortunate enough to teach. For those of use who teach college freshmen, remember too that this is a time of mourning for many new freshmen. Many are away from family for the first time, away from friends, away from everything that is familiar and that offers any sense of comfort. Let us do our best, as we fully intend to, I'm sure, to make the transition an easy one for freshmen and, well, for all students, really. Enjoy this issue's submissions, and as you do, consider offering us a piece of your work for publication. We invite your continued perusal and encourage you to submit articles, poetry, and fiction for consideration in future issues of AEE. Please review our Call for Papers on this site for more details on submission requirements. If you are unsure whether your contribution would be suitable under the terms of our Call for Papers, please send along an inquiry, and I will be happy to respond forthwith. As always, do not forget to check out Grist for the Mill for possible submission ideas. A reminder that if you are interested in joining our editorial staff, positions are available. Please e-mail me for more details. Lynne Fukuda returns with another entry for her monthly column, "The View From Here." Fukuda's article is the second installment of a four part study titled, "Study in the Sun on a Desert Island: My Adventures on the Northwestern Hawaii Islands, Tern Island." Please see the July/August 2004 issue of AEE for part one to her intriguing adventure. Fukuda states that she:
Dan Lukiv provides
our first feature of this issue. It is the fifth of seven in a symposium
that Mr. Lukiv has generously decided to share with AEE. According to
Mr. Lukiv, "This symposium of seven parts discusses: two phenomenological
studies that explored lived school experiences that had encouraged two
people to become creative writers (part one and part two); the abstract
versus concrete sides of phenomenology (part two); bracketing out bias
and bracketing in possibilities (defined in part three); the implicit
nature of interview data and poetry (part four); the need for educators
and researchers to use tact (part five); and the precepts of something
I call Theory from Phenomenology (defined in part seven). I have
tried to avoid abstract language as much as possible to make the work
accessible to readers unfamiliar with phenomenological inquiry. Part Six: For Those Who Teach Creative
Writing--Study II of VI Andrew Foran's piece titled "At Telemachus' Gate" is our second feature and "explores the notion of 'stranger' in teaching and the 'curriculum of sameness'." Marvin Gettleman, PhD, provides our final feature of this issue with his story "Atheism." According to Gettleman, it is "an excerpt from a novel-in-progress set in the 1980s entitled Death Squads. It concerns a young North American graduate student doing research for a thesis on refugees in Central America. In a meeting with the Roman Catholic priest in charge of a refugee camp, the subject of discussion turns to atheism." Enjoy! Academic Exchange Extra invites reader responses to any writings in this issue--especially articles advancing the scholarly debate of issues raised. Copyright © Academic Exchange -
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